Download PDF , by Neal Gabler
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, by Neal Gabler
Download PDF , by Neal Gabler
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Product details
File Size: 5876 KB
Print Length: 512 pages
Publisher: Anchor; Reprint edition (November 17, 2010)
Publication Date: November 17, 2010
Sold by: Random House LLC
Language: English
ASIN: B004AM5QVM
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This is an excellent, well researched book about the men who invented Hollywood and the movies according to their own ideas about what the American Dream should be and what their ideal of America might look like. If you think MGM musicals are realistic, blame Mr. Mayer. But the book's not only about the glory days of Hollywood. The Red Scare, HUAC, and the black list--and how the studies acquiesced and then some of them fought back is also covered. If you like movies and want some real history about them and the studios that made them, this is the book to read.
This book recounts the stories of the individuals who created the American motion picture industry and Hollywood. They were the producers, writers, lawyers and agents who dominated the American film industry until shortly after WW II. These men were mostly displaced eastern Europeon Jews who struggled to attain success in their adopted country. The author relates the attempts to assimilate and, in many cases, reject the Jewishness that defined them. The cast of characters included the fatherly but domineering L. B. Mayer, the crude and womanizing Harry Cohn and assorted husbands, fathers, thugs, party-givers, gamblers and racehorse owners who nevertheless created MGM, Columbia, Universal and Warner Bros. The author describes the personal lives, lifestyles and business success and failures with unerring prose that engrosses the reader in these stories. I found particularly interesting the styles and themes that distinguished each of these movie moguls and their respective motion picture institutions from each other. Wonderful photographs augment the narrative.
Despite perplexing use of the hyphen and mistakes confusing the words gentile and genteel I loved this book. The early tales of the studios founders is a great read. But the book really comes into its own when the nasty politics begin to take a toll on the Studios. While many of the film executives were almost deaf to Hitler and his murder of Jews, the national swing to the right and paranoid fear of communists came close to destroying the studios. The studio heads cooperated with the HUAC and betrayed the writers and directors genius and creativity was responsible for the decades of profit for studio bosses. The studio heads had the hubris to pretend that they were the creative force in what a become a reflection of American culture and a major economic contributor to American prosperity. But their refusal to unionize and their refusal to accommodate the Screen Writers Guild in many ways contributed to the downfall of their empire.
Gabler is a uniquely erudite cultural critic. This is the third book I have read by him and I am deeply impressed with the unusual breadth of his coverage. In this case, he writes about the founding fathers of Hollywood, the dictatorial dreamers and shapers of its golden age (to the late 1940s}. In his telling, they are all Eastern European Jews, striving to become part of the American dream and at the same time providing many of the images that entered the American psyche. They all started with the penny arcades at the beginning of the century, and built empires in which they exercised total control of content and creation.This book is less about the economics of the studio system - cartels that manufactured films on lots, virtually owned the "talent" via long-term contracts, dominated the distribution of their films, and controlled many of the theatres that played them - than about the culture and ethos they were trying to create in their dictatorial domains. The era passed with the Supreme Court trust-busting ruling, political attacks during the McCarthy era, and the rise of independent talent in actors, producers, and writer-directors.As Gabler sees it, these founders were fairly secular Jews, who wanted to fit into the American ideal of pseudo-aristocratic entrepreneurs (from poverty). This was the source of their maudlin, sentimental style and crude american ideals, each studio with its own peculiar character. I must admit, I find this angle of analysis, with all the objections one can make for its subjectivity, quite fascinating and given their power to shape things, dead on the mark.Gabler tells the story in the form of serial biographies. It is a wonderful flowing narrative, superlatively written and with a genuine depth of historical understanding. Indeed, while I think this early book is somewhat weaker than his later books, Disney and Life" the Movie, I will read any book that this critic writes.Warmly recommended. This is not my usual domain of interest, so the reading is often hard going for me, but I have learned an immense amount from this critic, who is a real intellectual.
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